Tattoo style

Trash polka tattoos: red, black, and nothing else

30 original trash polka tattoos designs drawn for InkCraftBy Updated

Two colours only, red and black, and two registers at once: something carefully rendered and something violently applied over it. The collision is the style, not a decoration on it.

30 designs drawn for InkCraft in this style. Tap any one to place it on a photo of your own skin.

These 30 designs, in numbers

Black and grey
0
Colour
30
Subjects covered
29

A style with an address

Trash polka was made at one shop by two people. Simone Pfaff and Volker Merschky developed it at Buena Vista Tattoo Club in Würzburg, Germany, from the late 1990s, and named it themselves — which makes it almost unique among tattoo styles in having a documented origin rather than a gradual one.

Their description of it is worth borrowing because it explains the visual rule: a combination of realism and trash, of the organic and the technical, of the past and the present. In practice that means every piece contains something drawn with care and something that looks thrown at it, and the two are not reconciled.

The two-colour limit is a rule rather than a preference. Red and black, and no third colour, ever. Adding one does not produce a more colourful trash polka piece; it produces a different style, because the tension depends on there being only two things in the argument.

The grammar

The black half is rendered — a portrait, a skull, a bird, a watch, drawn with real tonal detail. The red half is graphic: hard-edged bars, solid blocks, smears, splatters and slashes that ignore the anatomy of whatever they cross. That last part matters. A red shape that follows the contour of the subject reads as shading; a red shape that cuts straight across it reads as trash polka.

Composition is usually diagonal, because a diagonal implies motion and a horizontal does not. Most pieces have one dominant slash setting the angle and everything else answering it, which is why the style reads as a poster rather than as a picture.

Torn edges and layering are the third component. Shapes that look like ripped paper, or like one element is pasted over another, give the piece depth that neither the realism nor the graphics could supply alone.

What it costs you

It needs space. The style is built on the relationship between a rendered element and a graphic one, and below roughly 20 cm there is no room for that relationship — you get a small realistic drawing with a red mark on it. Most good trash polka pieces are large, and a great many are half sleeves or larger by necessity rather than ambition.

It also cannot be covered. Between heavy black and saturated red there is almost nothing that goes over a trash polka piece except a larger, darker one, and laser removal responds poorly to dense red. This is the most committing style on the site and it is worth saying plainly before rather than after.

The red itself is the one durability question. Red pigments generally hold less well than black over decades and are the most common source of pigment reactions, so the red will soften before the black does. Since the black carries the drawing, the piece ages into something quieter rather than something unreadable — but expect the contrast to reduce.

What an hour of this work costs, and how many hours trash polka tattoos takes at each size, is in the cost guide. How it behaves later — under a laser, and as the thing doing the covering — is in the removal and cover-up guide.

Common questions

Who invented trash polka?
Simone Pfaff and Volker Merschky at Buena Vista Tattoo Club in Würzburg, Germany, from the late 1990s. They named it themselves, which makes it one of very few tattoo styles with a documented origin rather than one that emerged gradually from a tradition.
Can trash polka use other colours?
No. Red and black only, and it is a rule rather than a preference. The style depends on a tension between two things, so adding a third colour does not make it more colourful — it makes it a different style with the argument removed.
How big does a trash polka tattoo need to be?
Around 20 cm at minimum and usually much more. The whole style is the relationship between a carefully rendered element and a graphic one violently laid over it, and below that size there is no room for two things to be in tension. Many pieces are half sleeves by necessity.
Can a trash polka tattoo be covered up later?
Realistically no. Heavy black and saturated red leave almost nothing that will go over it except something larger and darker, and laser removal responds poorly to dense red. It is the most committing style here, which is worth knowing before rather than after.

See this style on your own skin

InkCraft places a design on a photo of you — scaled, wrapped and shaded to the spot you pick, so you can judge how the style reads on your body before it is permanent.

Or try it in your browser first — free, no download