Tattoo style

Ornamental tattoo designs that follow the anatomy

48 original ornamental tattoos designs drawn for InkCraftBy Updated

Borrowed from jewellery and architecture rather than from pictures. There is no subject here, which means where it sits is not a detail of the design — it is the design.

48 designs drawn for InkCraft in this style. Tap any one to place it on a photo of your own skin.

These 48 designs, in numbers

Black and grey
47
Colour
1
Subjects covered
41

Nothing to be about

Almost every other style starts with a thing: a rose, a wolf, a portrait. This one starts with a surface. The vocabulary is filigree, lace, beadwork, scrollwork and repeated geometric motifs — the language of a pendant or a carved screen — and none of it depicts anything.

That absence is the appeal for a lot of people. A piece with no subject cannot date the way a subject can, it does not require explaining, and it can be read as decoration rather than as a statement. It also sidesteps the most common regret, which is not disliking the drawing but having outgrown what it was about.

What replaces the subject is anatomy. An ornamental piece is designed to answer a particular collarbone, sternum or spine, and the same pattern on a different body is a different design. This is the style where an artist most needs to see you before drawing.

Where the body offers a frame

The classic placements are the ones with a natural axis or edge: along a collarbone, down a sternum, either side of a spine, around an upper arm, across the back of a hand. These give the repetition something to resolve against, which is what stops a pattern reading as wallpaper.

Symmetry is the main technical risk, and it is the same problem geometric work has: a body is not symmetrical, so a design mirrored on paper will not be mirrored on skin unless it was placed with that in mind. Expect the stencil to go on and come off more than once, and treat an artist who does that as careful rather than slow.

Scale behaves differently here too. Because the elements repeat, an ornamental piece can grow or shrink without being redrawn — the same motif simply runs further. That makes it unusually easy to extend later, and unusually easy to get wrong by asking for a small version of something that needed the run.

How it wears

The fine elements — beading, hairline scrolls, the thinnest parts of a filigree — are the first things to soften, in the same way any small detail set close together does. The structure survives because it repeats: losing definition in one bead of a row is not very visible, where losing it in the one eye of a portrait is.

That makes this style age gracefully in a specific way. It does not stay crisp, but it stays legible as a pattern, which is what it was. Keeping a little more space between elements than a paper drawing would have is the single change that buys the most years.

Because it is drawn to your body rather than chosen from a sheet, seeing it on yourself matters more than usual. Put a design on a photo and look at how it crosses the collarbone or follows the sternum before you book — that is the question this style lives or dies on.

What an hour of this work costs, and how many hours ornamental tattoos takes at each size, is in the cost guide. How it behaves later — under a laser, and as the thing doing the covering — is in the removal and cover-up guide.

Common questions

What counts as an ornamental tattoo?
Pattern drawn from decorative traditions rather than from pictures — filigree, lace, beadwork, scrollwork, repeated geometric motifs. The defining feature is that it does not depict anything, so what it is about is where it sits.
Where does it work best?
Placements with a natural axis or edge: along a collarbone, down a sternum, either side of a spine, around an upper arm. The repetition needs something to resolve against, or it reads as wallpaper.
Can it be extended later?
More easily than most styles. Because the elements repeat, the pattern can simply run further without redrawing anything — which also means a small version of a design that needed the run will look truncated rather than compact.
How does it age?
The finest beading and hairline scrolls soften first, as any small detail does. The structure survives because it repeats: definition lost in one bead of a row barely shows. Extra space between elements buys the most years.

See this style on your own skin

InkCraft places a design on a photo of you — scaled, wrapped and shaded to the spot you pick, so you can judge how the style reads on your body before it is permanent.

Or try it in your browser first — free, no download